In this image, a protester tries to break down 'corruption' while a member of SCAF watches and does nothing. This image reflects the growing discontent amongst Egyptians with SCAF rule.

This mural, located on the outside walls of the Faculty of Fine Arts, Zamalek, Cairo, was one of many painted by students to celebrate the 25 January 2011 revolution. It represents the revolution as an uprising of the people against oppression,…

This street art, on the walls of the Faculty of Fine Arts, was painted some time in 2011. The figure of the mummy refers to Egypt, which is shouting, 'I'm free', which in turn, is painted in the colours of the Egyptian flag. It is interesting that…

These images depict a mother mourning her child. They refer to the mothers of the martyrs - those killed by the police during anti-regime protests. Such images sought to mobilise sympathy not only for those killed and their families but also for the…

Samira Ibrahim above an army of faces of Ahmed Adel El Mogy, the doctor against whom she brought a court case for conducting so-called virginity testing.

This fascinating stencil image represents justice as a belly-dancer wearing a military beret, holding a scales. There are multiple layers to this image. The reference to the figure of a belly dancer, usually viewed as immoral or improper in the…

Muslim Brotherhood and SCAF politicians eating a woman's corpse. This image could be read in two ways. First, it suggests that women are always used and abused by politicians, no matter if they are religious, secular, nationalist, or other. Second,…

'Clean your brain so that nobody brainwashes you'. A common theme amongst revolutionary activists in the post-2011 period was that of brainwashing. They sought to highlight how continuing support for the military despite their clear violations was…

Zeft's iconic Nefertiti and her gas mask, created as a tribute to the role of Egyptian women in the revolution. This image was often used in placards, especially at women's marches and women's events in 2012-2013.

Tomorrow and Yesterday: commemorating the Port Said massacre on one side, and portraying hope for the future on the other. This mural was also painted on a military security wall, making it even more significant.