Video report about a women's march against the rule of SCAF and against the use of violence against women protesters by the military. A few days earlier, a video of soldiers dragging a woman along the ground, exposing her blue bra, went viral and…
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This vivid image shows a fist, adorned with a cross and a crescent, representing unity between Muslims and Christians, breaking through military tanks. It represents a popular call for unity in standing against the army, seen by many activists as a…
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This film is based on the story of Mary Danial, the sister of Mena Danial, who was killed in the 'Maspero massacre', on 9 October 2011, in which the army attacked mainly Coptic protestors in front of the main TV and Radio Broadcast building known as…
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Iconic post-uprising street art, Ganzeer's 'Tank versus Bike' depicts a man on a bicycle delivering bread - a common sight in Egypt - being confronted by a tank. It is clear criticism of the Supreme Council of the Armed Forces (SCAF) at a time when…
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Tahrir Documents is an archive of activist papers from the 2011 Egyptian uprising and its aftermath. Materials were collected from demonstrations in Cairo’s Tahrir Square and published in complete English translation alongside scans of the original…
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This stencil on the walls of Cairo University commemorates Ahmed Mansour, a student at the university, who was killed during clashes between the military and protesters during the Cabinet sit-in in December 2011.
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This image highlights the theme of silence, self-censorship and looking the other way. It alludes to the failure of people to stand up to and speak out against injustice and oppression, specifically in relation to the rule of SCAF.
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The song was produced in 2012, lyrics by Walid Taher, sung and composed by Youssra El-Hawary, who also plays the accordion. The song satirises the building of barricades and walls (by the military and the police) to separate streets and…
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Samira Ibrahim above an army of faces of Ahmed Adel El Mogy, the doctor against whom she brought a court case for conducting so-called virginity testing.
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Excerpts from Laila Soliman's interactive theatre performance 'No Time for Art'. The play, performed in June 2011, tells stories of the uprising and military and police violence in a minimalist style.
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